I Have No Idea What I'm Doing
sorcerersskull:

Art by Clyde Caldwell

sorcerersskull:

Art by Clyde Caldwell

cadenced:

Profile of the evolution of time trial bikes in the Tour de France from Eddy Merckx (1974) through to Bradley Wiggins (2012).  The animated gif is an adaptation from L’Equipe’s Clock Hunters profile of time trialling in the Tour de France. 

cadenced:

Profile of the evolution of time trial bikes in the Tour de France from Eddy Merckx (1974) through to Bradley Wiggins (2012).  The animated gif is an adaptation from L’Equipe’s Clock Hunters profile of time trialling in the Tour de France. 

witchguardian:

Bri’s 50 Favorite Asian Horror Movies

36. Onibaba (dir. Kaneto Shindo, 1964)

humanoidhistory:

Angel of the Revelation, circa 1803–5, William Blake (British, 1757–1827), Watercolor, pen and black ink, over traces of graphite. Metropolitan Museum of Art, New York.
Revelation 10:1-7
Then I saw another mighty angel coming down from heaven. He was robed in a cloud, with a rainbow above his head; his face was like the sun, and his legs were like fiery pillars. He was holding a little scroll, which lay open in his hand. He planted his right foot on the sea and his left foot on the land, and he gave a loud shout like the roar of a lion. When he shouted, the voices of the seven thunders spoke. And when the seven thunders spoke, I was about to write; but I heard a voice from heaven say, “Seal up what the seven thunders have said and do not write it down.” Then the angel I had seen standing on the sea and on the land raised his right hand to heaven. And he swore by him who lives for ever and ever, who created the heavens and all that is in them, the earth and all that is in it, and the sea and all that is in it, and said, “There will be no more delay! But in the days when the seventh angel is about to sound his trumpet, the mystery of God will be accomplished, just as he announced to his servants the prophets.”

william blake

humanoidhistory:

Angel of the Revelation, circa 1803–5, William Blake (British, 1757–1827), Watercolor, pen and black ink, over traces of graphite. Metropolitan Museum of Art, New York.

Revelation 10:1-7

Then I saw another mighty angel coming down from heaven. He was robed in a cloud, with a rainbow above his head; his face was like the sun, and his legs were like fiery pillars. He was holding a little scroll, which lay open in his hand. He planted his right foot on the sea and his left foot on the land, and he gave a loud shout like the roar of a lion. When he shouted, the voices of the seven thunders spoke. And when the seven thunders spoke, I was about to write; but I heard a voice from heaven say, “Seal up what the seven thunders have said and do not write it down.” Then the angel I had seen standing on the sea and on the land raised his right hand to heaven. And he swore by him who lives for ever and ever, who created the heavens and all that is in them, the earth and all that is in it, and the sea and all that is in it, and said, “There will be no more delay! But in the days when the seventh angel is about to sound his trumpet, the mystery of God will be accomplished, just as he announced to his servants the prophets.”

william blake

4 plays
disappointingpopsiclejokes:

Disappointing Popsicle Jokes

disappointingpopsiclejokes:

Disappointing Popsicle Jokes

They sit so prettily in a row, headphones in every shade of every conceivable color in identical ears, faces somber as a funeral. I see no wetness in their eyes, no involuntary dancing in their seats, no lips screaming unheard lyrics. By god, I think these men have turned to stone.
(via orlansky)

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

humansofnewyork:

"I got it for her birthday. I live 1.5 hours away, so I had to bring it on the bus and the subway. It was a little embarrassing."
(Mexico City, Mexico)

humansofnewyork:

"I got it for her birthday. I live 1.5 hours away, so I had to bring it on the bus and the subway. It was a little embarrassing."

(Mexico City, Mexico)